Pride and Prejudice (Blackstone Audio Classics Collection)

Pride and Prejudice (Blackstone Audio Classics Collection)

FEATURED Pride and Prejudice (Blackstone Audio Classics Collection)

[This new audiobook edition by Blackstone Audio is read by Carolyn Seymour.]

The provincial Bennet family, home to five unmarried daughters, is turned upside down when a wealthy bachelor takes up a house nearby. Mr. Bingley enhances his instant popularity by hosting a ball and taking an interest in the eldest Bennet daughter, Jane. Meanwhile, Mr. Darcy, Bingley’s even wealthier friend, makes himself equally unpopular by his aloof disdain of country manners. Yet he is drawn in spite of himself to the spirited and intelligent Elizabeth Bennet, who proves to be his match in both wit and pride. Their sparkling repartee is a splendid performance of civilized sparring infused with unacknowledged romantic tension.

Pride and Prejudice delightfully captures the affectations and rivalries of class-conscious English families in an age when status and security for women hung entirely on matrimonial ambitions. Austen’s characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England. It is also the source of some of the most memorable characters ever written, from the fatuous Mr. Collins, whose proposal to Elizabeth is one of the finest comic passages in English literature, to the beloved heroine Elizabeth, whom the author herself deemed ”as delightful a creature as ever appeared in print.”“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

Next to the exhortation at the beginning of Moby-Dick, “Call me Ishmael,” the first sentence of Jane Austen’s Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage–tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families–in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet’s vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy’s hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy’s insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth’s low-born but noble-hearted aunt and uncle. Some of Austen’s best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: “It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley.” She may be joking, but there’s more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet “as delightful a creature as ever appeared in print”. Readers of Pride and Prejudice would be hard-pressed to disagree. –Alix Wilber


Pride and Prejudice (Blackstone Audio Classics Collection)

Of Mice and Men (Penguin Classics)

Of Mice and Men (Penguin Classics)

FEATURED Of Mice and Men (Penguin Classics)

Nobel Prize winning author John Steinbeck, one of the greatest American writers of the twentieth century, offers a powerful but tragic tale in “Of Mice and Men”. ‘Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don’t belong no place’. George and his large, simple-minded friend Lennie are drifters, following wherever work leads them. Arriving in California’s Salinas Valley, they get work on a ranch. If they can just stay out of trouble, George promises Lennie, then one day they might be able to get some land of their own and settle down some place. But kind-hearted, childlike Lennie is a victim of his own strength. Seen by others as a threat, he finds it impossible to control his emotions. And one day not even George will be able to save him from trouble. “Of Mice and Men” is a tragic and moving story of friendship, loneliness and the dispossessed. “A thriller, a gripping tale that you will not set down until it is finished. Steinbeck has touched the quick”. (“New York Times”). Nobel Prize-winning author John Steinbeck is remembered as one of the greatest and best-loved American writers of the twentieth century. His complete works are published by Penguin and include “Cannery Row”, “The Pearl”, “The Winter of Our Discontent” and “The Grapes of Wrath”.


Of Mice and Men (Penguin Classics)

In the Tall Grass

In the Tall Grass

FEATURED In the Tall Grass

Mile 81 meets “N” in this collaboration between Stephen King and Joe Hill, now available from Simon & Schuster Audio.

As USA TODAY said of Stephen King’s Mile 81: “Park and scream. Could there be any better place to set a horror story than an abandoned rest stop?” In the Tall Grass begins with a sister and brother who pull off to the side of the road after hearing a young boy crying for help from beyond the tall grass. Within minutes they are disoriented, in deeper than seems possible, and they’ve lost one another. The boy’s cries are more and more desperate. What follows is a terrifying, entertaining, and masterfully told tale, as only Stephen King can deliver.


In the Tall Grass

The Best of Me

The Best of Me

FEATURED The Best of Me

“Everyone wanted to believe that endless love was possible. She’d believed in it once, too, back when she was eighteen.”

In the spring of 1984, high school students Amanda Collier and Dawson Cole fell deeply, irrevocably in love. Though they were from opposite sides of the tracks, their love for one another seemed to defy the realities of life in the small town of Oriental, North Carolina. But as the summer of their senior year came to a close, unforeseen events would tear the young couple apart, setting them on radically divergent paths.

Now, twenty-five years later, Amanda and Dawson are summoned back to Oriental for the funeral of Tuck Hostetler, the mentor who once gave shelter to their high school romance. Neither has lived the life they imagined . . . and neither can forget the passionate first love that forever changed their lives. As Amanda and Dawson carry out the instructions Tuck left behind for them, they realize that everything they thought they knew — about Tuck, about themselves, and about the dreams they held dear — was not as it seemed. Forced to confront painful memories, the two former lovers will discover undeniable truths about the choices they have made. And in the course of a single, searing weekend, they will ask of the living, and the dead: Can love truly rewrite the past?


A Q&A with Author Nicholas Sparks

Q: What was your inspiration for writing The Best of Me?

A: I suppose the inspiration was two-fold. It had been a long time since I’d done a “reunion” story (like The Notebook) so it was time to do another. At the same time, I wanted it to be different than The Notebook in almost every way. At the same time, I wanted to write a novel about characters in their forties. At that age, people are coming to terms with the decisions and choices they’ve made in the past. The Best of Me was essentially a combination of those two ideas.

Q: This book deals with falling in love for the first time and how sometimes that love is so strong it can cross the span of time and space no matter what happens. Is that something you believe in?

A: Yes, I believe it’s possible. First love is always powerful, and for some people, that love really does last forever. The problem with that, however, is that over time, the love often becomes romanticized. I wanted to write a novel that explored that concept as well. Neither Dawson nor Amanda are the same people they’d been when they were younger, and little by little, that romanticism diminishes over the course of the story. For them, however, the new reality nonetheless left them feeling the same way about each other as they once had. And yet, they fell in love once more. Or maybe, phrasing it differently, they never fell out of love in the first place.

Q: Former high school sweethearts Amanda Collier and Dawson Cole reconnect after 25 years when their mentor, Tuck Hostetler, dies and they are summoned back to Oriental, North Carolina for his funeral. One of things that drove Amanda and Dawson apart was that they were from the opposite side of the tracks. Are class differences still a part of everyday life in a town like Oriental, North Carolina?

A: Class differences aren’t as powerful as they once were, but they’re still prevalent. I don’t know, however, if it’s limited to places like Oriental, and nor do I see it as entirely and without question a terrible thing. People who intend to spend their lives together should have things in common, and like it or not, class is, and always has been, part of that, because it shapes the people that we are.

With Amanda and Dawson–and many others in the real world, of course–the class differences were less important than their similarities. Neither one of them got along with their parents, both were intelligent, both had dreams, and over the years, both of them had disappointments.

Q: Today, we can easily reconnect with people from our past via Facebook and other social networking sites. How often do you think people try to find their first love on these sites?

A: It’s very common. I know people who’ve reconnected with someone from their past then later married them, but that’s probably less common than simply reaching out via social media to an old boyfriend or girlfriend simply to find out what’s been going on in their lives. I can understand the draw: First love is powerful because it’s a first, and it’s almost impossible to forget.

Q: At the point when Amanda and Dawson reconnect, Amanda has been married almost twenty years and it’s clear she is having problems in her marriage. Having been married for 22 years yourself, what would you say is the key to a successful marriage?

A: For every couple, it’s different, because every couple faces different challenges, and every person has differing abilities when it comes to meeting those challenges. The key to any successful marriage is to realize that the commitment you once made to each other is the most important aspect to keep in mind. That simple truth, if truly felt, should be enough to make you realize that you can’t put that commitment at risk. If your partner feels the same way, he or she wouldn’t put that commitment at risk either.

At the same time, it’s important to understand that all marriages have challenging periods. No one is perfect, after all. But if the commitment to each other–which sometimes requires a commitment to change–is truly felt, then most likely, that marriage will be successful.

Q: This book has a large, spiritual component to it. Tuck sees Clara, his dead wife, and Dawson sees a man in a blue windbreaker, although he is not sure who he is and the reader does not find out until the end. Do you believe in ghosts?

A: I think I do. I had an experience much like the one Dawson described: at times, I could see unexplainable movement from the corners of my eyes. Quick, instantaneous movements that vanished before I could turn my head. If you talk to the owners of the house where those events occurred, they will swear it was a ghost. Other events occurred in that house as well before the “ghost”–or whatever it was–was finally exorcised from the premises. But that’s a longer story for another time.

Q: There is an absolutely stunning scene that unfolds when Amanda and Dawson go to Tuck’s country cottage for the first time. It’s very reminiscent of a scene that happens in The Notebook. Would you say this book, which examines young love versus middle age love, is the book closest in sentiment to The Notebook?

A: Without question, this is closest in sentiment–at least through the majority of the story – when compared to The Notebook. I wanted to do exactly that. At the same time, I wanted to make everything else about the story completely different as well, and I’m hopeful I did that as well.

Q: Tuck writes letters to Amanda and Dawson to be read after he is dead. They are wise and beautifully written. In this day and age of constant, electronic overload, do you lament the lost art of letter writing?

A: I do. I love letters as opposed to e-mail. But I’m old-fashioned that way.

Q: Warner Bros. has already bought the film rights to The Best of Me. You will be a producer on this film along with Denise DiNovi. How often is an author also a producer for the movie version of a book he/she has written? Is this unprecedented?

A: I’m sure other authors have served as a producer of their work; some have even directed. But it was somewhat unprecedented for Warner to agree to that – and purchase the novel–before I’d written a single page.

Q: Of all the movies based on your novels, which is your favorite?

A: I’ve been fortunate in that all the movies have been well-done and all have been successful, so I don’t have a personal favorite. I can say, however, is that, at the current time, The Notebook seems most likely to become a classic.

Photo by Nina Subin


The Best of Me

The 7th Month: A Detective D. D. Warren Story

The 7th Month: A Detective D. D. Warren Story

FEATURED The 7th Month: A Detective D. D. Warren Story

In Lisa Gardner’s first-ever short story following thirteen bestselling novels, The 7th Month takes listeners between the books and into a day in the life of Boston Detective D. D. Warren. In her seventh month of pregnancy, D.D. should be taking it easy. Instead, she accepts a small consulting role on the set of a serial killer film shooting in Boston. D.D. figures she’ll be useful to someone for at least one night, serving as a police expert and making a little extra money in the bargain. It seems like a simple task — until the previous film consultant, a former Boston cop, is found beaten to death. Suddenly D.D.’s date with Hollywood gets serious. Extremely pregnant, on the trail of a killer, and surrounded by a hundred and four murder suspects in the middle of a graveyard, D.D. must quickly unravel a tangled web of lies. As another cast member is attacked, D.D. realizes that like it or not, her priorities have changed — and her last desperate hope is that she can catch a killer before she and her unborn baby face mortal danger. Packed with the suspenseful storytelling that has turned Gardner’s novels into New York Times bestsellers, The 7th Month reveals new insights into a beloved series heroine.


The 7th Month: A Detective D. D. Warren Story

Identity (Eyes Wide Open, Book 1)

Identity (Eyes Wide Open, Book 1)

FEATURED Identity (Eyes Wide Open, Book 1)

Eyes Wide Open is the mind-bending thrill ride from New York Times bestselling author Ted Dekker which can be experienced THREE different ways. You choose:
1. As an episodic story. Read Eyes Wide Open as four shorter sequential “episodes” much like your favorite TV show. The ride starts with IDENTITY which is FREE in ebooks. Think of it as the pilot, offered free. If you like the story, continue with MIRRORS, UNSEEN and the grand finale, SEER. Begin the story for FREE now. Or…
2. As a single, novel length eBook. Don’t want to read four episodes? No problem. At any point, you can get the entire story in one digital edition that collects all four episodes into one seamless story called EYES WIDE OPEN. Or…
3. As a paperback or audiobook. For those who love the smell and feel of paper, Eyes Wide Open is also available in paperback. For those who love to listen instead, there’s also an audiobook.

FROM THE BACK COVER:

Who am I? 
My name is Christy Snow. I’m seventeen and I’m about to die. 
I’m buried in a coffin under tons of concrete. No one knows where I am. My heart sounds like a monster with clobber feet, running straight toward me. I’m lying on my back, soaked with sweat from the hair on my head to the soles of my feet. My hands and feet won’t stop shaking.
Some will say that I m not really here. Some will say I’m delusional. Some will say that I don t even exist. But who are they? I’m the one buried in a grave. 
My name is Christy Snow. I’m seventeen. I’m about to die. 
So who are you? 
In a return to the kind of storytelling that made Black, Showdown and Three unforgettable, Ted Dekker drags that question into the light with this modern day parable about how we see ourselves. 
Humming with intensity and blindsided twists, Eyes Wide Open is raw adrenaline from the first page to the last pure escapism packed with inescapable truth. Not all is as it seems. Or is it? Strap yourself in for the ride of your life. Literally. (Young Adult)

Identity (Eyes Wide Open, Book 1)

To Kill a Mockingbird

To Kill a Mockingbird

FEATURED To Kill a Mockingbird

FOR USE IN SCHOOLS AND LIBRARIES ONLY. The explosion of racial hate and violence in a small Alabama town is viewed by a young girl whose father defends a black man accused of rape.“When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow…. When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out.”

Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus–three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.

Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout’s first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children’s consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well–in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout’s hard-won understanding that most people are essentially kind “when you really see them.” By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. –Alix Wilber


To Kill a Mockingbird

SanDisk Sansa Clip+ 4 GB MP3 Player (Black)

SanDisk Sansa Clip+ 4 GB MP3 Player (Black)

FEATURED SanDisk Sansa Clip+ 4 GB MP3 Player (Black)

  • Store up to 1000 songs
  • Memory card slot for pre-loaded cards
  • Digital FM tuner with 40 presets
  • Rechargeable battery lasts up to 15 hours
  • Built-in clip for easy carrying

There’s so much more to love when you play with a SanDisk Sansa Clip+ MP3 player. With four gigabytes of storage, this tiny player lets you listen to up to 1000 songs in stunning audio quality. It boasts a wide array of outstanding features, including an FM radio, long-life battery, and integrated voice recorder. And with its expandable memory card slot, you can add pre-loaded microSD, microSDHC, or slotRadio cards so you can listen to your favorite music, podcasts and audio books without having to access a computer or wait for downloads.


SanDisk Sansa Clip+ 4 GB MP3 Player (Black)

Mockingjay (The Hunger Games, Book 3)

Mockingjay (The Hunger Games, Book 3)

FEATURED Mockingjay (The Hunger Games, Book 3)

  • Recommended Age: 12 years and up

Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she’s made it out of the bloody arena alive, she’s still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what’s worse, President Snow has made it clear that no one else is safe either. Not Katniss’s family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins’s groundbreaking The Hunger Games trilogy promises to be one of the most talked about books of the year.Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she’s made it out of the bloody arena alive, she’s still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what’s worse, President Snow has made it clear that no one else is safe either. Not Katniss’s family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins’s groundbreaking The Hunger Games trilogy promises to be one of the most talked about books of the year.




A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)

Q: You have said from the start that The Hunger Games story was intended as a trilogy. Did it actually end the way you planned it from the beginning? A: Very much so. While I didn’t know every detail, of course, the arc of the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process. Q: We understand you worked on the initial screenplay for a film to be based on The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay? A: There were several significant differences. Time, for starters. When you’re adapting a novel into a two-hour movie you can’t take everything with you. The story has to be condensed to fit the new form. Then there’s the question of how best to take a book told in the first person and present tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for a second and are privy to all of her thoughts so you need a way to dramatize her inner world and to make it possible for other characters to exist outside of her company. Finally, there’s the challenge of how to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lot of things are acceptable on a page that wouldn’t be on a screen. But how certain moments are depicted will ultimately be in the director’s hands. Q: Are you able to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully that it is too difficult to think about new ideas? A: I have a few seeds of ideas floating around in my head but–given that much of my focus is still on The Hunger Games–it will probably be awhile before one fully emerges and I can begin to develop it. Q: The Hunger Games is an annual televised event in which one boy and one girl from each of the twelve districts is forced to participate in a fight-to-the-death on live TV. What do you think the appeal of reality television is–to both kids and adults? A: Well, they’re often set up as games and, like sporting events, there’s an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they have very talented people performing. Then there’s the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically–which I find very disturbing. There’s also the potential for desensitizing the audience, so that when they see real tragedy playing out on, say, the news, it doesn’t have the impact it should. Q: If you were forced to compete in the Hunger Games, what do you think your special skill would be? A: Hiding. I’d be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope would be to get hold of a rapier if there was one available. But the truth is I’d probably get about a four in Training. Q: What do you hope readers will come away with when they read The Hunger Games trilogy? A: Questions about how elements of the books might be relevant in their own lives. And, if they’re disturbing, what they might do about them. Q: What were some of your favorite novels when you were a teen? A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury

(Photo © Cap Pryor)






Mockingjay (The Hunger Games, Book 3)

The Holy Bible, King James Version (KJV) with Search Every Verse Navigation

The Holy Bible, King James Version (KJV) with Search Every Verse Navigation

FEATURED The Holy Bible, King James Version (KJV) with Search Every Verse Navigation

Why is this King James Bible the best one for the Kindle?

VERSES ARE PARAGRAPHED
This format contains paragraphing of the Bible verses. For a verse-by-verse offering, see the KJV Bible ASIN: B005C16286.

EVERY VERSE IS SEARCHABLE
Simply type the first three letters of a book and the verse number and go. For instance to jump quickly to John 3:16, you type “joh3.16″ and hit enter. Easy as that!

ALWAYS KNOW WHERE YOU ARE IN THE BIBLE
Because each and every verse is labeled, there is no guessing or scrolling around to figure out where you are.

BEAUTIFUL FORMATTING
Proper verse spacing and the fact that every verse is put in superscript makes this Bible easy on the eyes.

FULLY FEATURED TABLE OF CONTENTS
The TOC appears both at the beginning of the Bible and at the beginning of each chapter, which means less scrolling around to get to where you want to be.

We strive to put out the best formatted books for the Kindle. Let us know if you have any questions or comments as we actively read the reviews to constantly improve this book.Why is this King James Bible the best one for the Kindle?

VERSES ARE PARAGRAPHED
This format contains paragraphing of the Bible verses. For a verse-by-verse offering, see the KJV Bible ASIN: B005C16286.

EVERY VERSE IS SEARCHABLE
Simply type the first three letters of a book and the verse number and go. For instance to jump quickly to John 3:16, you type “joh3.16″ and hit enter. Easy as that!

ALWAYS KNOW WHERE YOU ARE IN THE BIBLE
Because each and every verse is labeled, there is no guessing or scrolling around to figure out where you are.

BEAUTIFUL FORMATTING
Proper verse spacing and the fact that every verse is put in superscript makes this Bible easy on the eyes.

FULLY FEATURED TABLE OF CONTENTS
The TOC appears both at the beginning of the Bible and at the beginning of each chapter, which means less scrolling around to get to where you want to be.

We strive to put out the best formatted books for the Kindle. Let us know if you have any questions or comments as we actively read the reviews to constantly improve this book.


The Holy Bible, King James Version (KJV) with Search Every Verse Navigation

Official Book Club Selection: A Memoir According to Kathy Griffin

Official Book Club Selection: A Memoir According to Kathy Griffin

FEATURED Official Book Club Selection: A Memoir According to Kathy Griffin

A Conversation with Kathy Griffin:

Q: State your name and profession.
KG: My name is Kathy Griffin, and I am a teller of d**k jokes. And a plumber.

Q: This is your first book. Had you ever considered writing anything before? A novel? Or a work of historical scholarship? Or a children’s story?
KG: I had not considered it, because I’d always been told by the nuns at St. Bernadine’s that my cursive was poor. A children’ s story is an interesting idea. How’s this for a title: “Waterboarding Pre-Teens: The Debate is Back On.” I have a political side as well.

Q: You seem fairly obsessed with Oprah. Is this something you’ll ever outgrow?
KG: I will never outgrow my obsession with Oprah. Just as she will never outgrow her cardigan sweaters. Oops, she already has. Now look, that sounds like a dig, but it’s not. It’s called a struggle, and I’m on it with her. I support her. (Not as much as she needs those underwire bras to support her, because she’s got some serious ropes and pulleys going on there.) The point is, I worship her, and fear her at the same time. And believe me, that’ s how she wants it. Don’t be fooled.

Q: Did I miss something? Where’s Celine Dion in this book?
KG: I didn’t write about Celine Dion, only because of my fear of her husband Rene Angelil. I have an unfounded but constant fear that he could be in the French-Canadian mafia. Or have French-Canadian mafia ties, and by ties I don’t mean les cravats. And I fear that I may be abducted, whisked away and held prisoner at a charming little brasserie in Montreal, forced to eat multiple Croque Monsieur sandwiches until I confess to knowing the lyrics to every single one of her songs.

Q: What do you think gays should take away from reading this book?
KG: I think the gays should be happy with this book. It talks a lot about being who you are, and I certainly mention a lot of gay people. I would say it definitely has strong gay themes, and the gay community should know that frankly it has been a moral struggle for me to even acknowledge the heterosexual community in this book at all. But I am slowly reaching out an olive branch to the heterosexual community, even though I believe everything they do goes against the teachings of Our Lord and Savior Jesus Christ. But I’m trying not to judge them.

Q: Describe your ideal, make-a-wish day of personal experiences with bats**t celebrities.
KG: Well, it would start with some sort of a fit in the hair-and-makeup trailer on a set. I heard a story that when Sharon Stone was working on “Casino,” she got into such a fight with her hairdresser, that after he spent four hours doing this beautiful bouffant hairdo for her, she got up and walked in the sink and put her head underwater. I have no idea if that’s true, but I hope it is, cause that’s some awesome s**t I would love to see. Then it would go right to lunch, where I could witness an eating disorder. Maybe a Lohan is purging in a bush somewhere with her finger down her throat. Or perhaps there’s an Olsen twin on a scale crying because she finally tipped 100. Any outburst over weight I would cherish. Also, it would be great to see an actress have a workload meltdown. So maybe at 2:00 some A-lister saying, “I can’t handle this s**t anymore.” Because I love when actors can’t deal with a normal workday, and they think two in the afternoon is like midnight, so I would love to see somebody storming to their car, exhausted because they’ve put in a grueling four-hour workday of saying three lines and texting their nanny. Then it’s maybe off to an illicit affair. At the top of my wish list would be following a rapper or a football player over to his baby mama’s house where a screaming match ensues to the point where someone, maybe me, has to anonymously dial 911, and then I take a couple pictures, and I become an unannounced star witness later at the trial, entering Joan Collins-style in a smashing hat. And then at the end of the day it’s a healthy round of clubbing with Janice Dickinson, and then on the way home we go to the Beverly Glen pharmacy and run into Paula Abdul. All three of us secretly take our small white-paper pharmacy bags and put them behind our backs and make uncomfortable small talk.

Official Book Club Selection is Kathy Griffin unplugged, uncensored, and unafraid to dish about what really happens on the road, away from the cameras, and at the star party after the show. (It’s also her big chance to score that coveted book club endorsement she’s always wanted. Are you there, Oprah? It’s me, Kathy.)

Kathy Griffin has won Emmys for her reality show Kathy Griffin: My Life on the D-List, been nominated for a Grammy, worked and walked every red carpet known to man, and rung in the New Year with Anderson Cooper. But the legions of fans who pack Kathy’s sold-out comedy shows have heard only part of her remarkable story. Writing with her trademark wit, the feisty comic settles a few old scores, celebrates the friends and mentors who helped her claw her way to the top, and shares insider gossip about celebrity behavior–the good, the bad, and the very ugly. She recounts the crazy ups and downs of her own career and introduces us to some of the supertalented people she encountered before they got famous (or, in some cases, after fame went to their heads). Word to the wise: If you’ve ever crossed Kathy Griffin at some point in your life, check the index for your name.

Along the way, Kathy reveals intimate details about her life before and after she made the big time. She opens up about everything from growing up with a dysfunctional family in suburban Illinois to bombing as a young comedian in L.A., from her well-publicized plastic surgery disasters to her highly publicized divorce, and more. Only in this book will you learn how the dinner table is the best training ground for a career in stand-up, how speaking your mind can bite you on the ass and buy you a house, and which people in Kathy’s life have taught her the most valuable lessons–both inside and outside the entertainment industry. And as if all that wasn’t enough, there are also dozens of exclusive and somewhat embarrassing photos from Kathy’s own collection–featuring the diva of the D List herself, with her old nose as well as her new one, plus celebrity friends, foes, frenemies, and hangers-on for you to gawk at.

Refreshingly candid, unflinchingly honest, and full of hilarious “Did she really say that?” moments, Official Book Club Selection will make you laugh until you cry, or just puke up a little bit.

From the Hardcover edition.Book Description
Official Book Club Selection is Kathy Griffin unplugged, uncensored, and unafraid to dish about what really happens on the road, away from the cameras, and at the star party after the show. (It’s also her big chance to score that coveted book club endorsement she’s always wanted. Are you there, Oprah? It’s me, Kathy.)

Kathy Griffin has won Emmys for her reality show Kathy Griffin: My Life on the D-List, been nominated for a Grammy, worked and walked every red carpet known to man, and rung in the New Year with Anderson Cooper. But the legions of fans who pack Kathy’s sold-out comedy shows have heard only part of her remarkable story. Writing with her trademark wit, the feisty comic settles a few old scores, celebrates the friends and mentors who helped her claw her way to the top, and shares insider gossip about celebrity behavior—the good, the bad, and the very ugly. She recounts the crazy ups and downs of her own career and introduces us to some of the supertalented people she encountered before they got famous (or, in some cases, after fame went to their heads). Word to the wise: If you’ve ever crossed Kathy Griffin at some point in your life, check the index for your name.

Along the way, Kathy reveals intimate details about her life before and after she made the big time. She opens up about everything from growing up with a dysfunctional family in suburban Illinois to bombing as a young comedian in L.A., from her well-publicized plastic surgery disasters to her highly publicized divorce, and more. Only in this book will you learn how the dinner table is the best training ground for a career in stand-up, how speaking your mind can bite you on the ass and buy you a house, and which people in Kathy’s life have taught her the most valuable lessons—both inside and outside the entertainment industry.

Refreshingly candid, unflinchingly honest, and full of hilarious “Did she really say that?” moments, Official Book Club Selection will make you laugh until you cry, or just puke up a little bit.


Official Book Club Selection: A Memoir According to Kathy Griffin

Pride and Prejudice - Book and AudioBook (for Download)

Pride and Prejudice - Book and AudioBook (for Download)

FEATURED Pride and Prejudice – Book and AudioBook (for Download)

Of all Jane Austen’s books PRIDE AND PREJUDICE has earned a special place in the hearts of the reading public as her best-loved and most intimately known novel. From its famous opening sentence the story of Elizabeth and Darcy, told with a wit that its author feared might prove ‘rather too light and bright, and sparkling’, delights its most familiar readers as thoroughly as it does those who encounter it for the first time.“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

Next to the exhortation at the beginning of Moby-Dick, “Call me Ishmael,” the first sentence of Jane Austen’s Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage–tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families–in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet’s vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy’s hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy’s insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth’s low-born but noble-hearted aunt and uncle. Some of Austen’s best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: “It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley.” She may be joking, but there’s more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet “as delightful a creature as ever appeared in print”. Readers of Pride and Prejudice would be hard-pressed to disagree. –Alix Wilber


Pride and Prejudice - Book and AudioBook (for Download)

Great American Stories: Ten Unabridged Classics

Great American Stories: Ten Unabridged Classics

FEATURED Great American Stories: Ten Unabridged Classics

These ten classic stories from four of America’s greatest authors of the 19th and early 20th century were selected for their literary importance as well as their dramatic oral qualities. The stories include Mark Twain’s “The One-Million Pound Bank Note,” “A Visit to Niagara,” and “A Mysterious Visit;” Stephen Crane’s “The Blue Hotel;” Ambrose Bierce’s “The Eyes of the Panther;” and Jack London’s “The Love of Life” and “To Build a Fire.”


Great American Stories: Ten Unabridged Classics

Harry Potter and the Sorcerer's Stone (Book 1)

Harry Potter and the Sorcerer's Stone (Book 1)

FEATURED Harry Potter and the Sorcerer’s Stone (Book 1)

  • Recommended Age: 9 years and up

Harry Potter has no idea how famous he is. That’s because he’s being raised by his miserable aunt and uncle who are terrified Harry will learn that he’s really a wizard, just as his parents were. But everything changes when Harry is summoned to attend an infamous school for wizards, and he begins to discover some clues about his illustrious birthright. From the surprising way he is greeted by a lovable giant, to the unique curriculum and colorful faculty at his unusual school, Harry finds himself drawn deep inside a mystical world he never knew existed and closer to his own noble destiny.Say you’ve spent the first 10 years of your life sleeping under the stairs of a family who loathes you. Then, in an absurd, magical twist of fate you find yourself surrounded by wizards, a caged snowy owl, a phoenix-feather wand, and jellybeans that come in every flavor, including strawberry, curry, grass, and sardine. Not only that, but you discover that you are a wizard yourself! This is exactly what happens to young Harry Potter in J.K. Rowling’s enchanting, funny debut novel, Harry Potter and the Sorcerer’s Stone. In the nonmagic human world–the world of “Muggles”–Harry is a nobody, treated like dirt by the aunt and uncle who begrudgingly inherited him when his parents were killed by the evil Voldemort. But in the world of wizards, small, skinny Harry is famous as a survivor of the wizard who tried to kill him. He is left only with a lightning-bolt scar on his forehead, curiously refined sensibilities, and a host of mysterious powers to remind him that he’s quite, yes, altogether different from his aunt, uncle, and spoiled, piglike cousin Dudley.

A mysterious letter, delivered by the friendly giant Hagrid, wrenches Harry from his dreary, Muggle-ridden existence: “We are pleased to inform you that you have been accepted at Hogwarts School of Witchcraft and Wizardry.” Of course, Uncle Vernon yells most unpleasantly, “I AM NOT PAYING FOR SOME CRACKPOT OLD FOOL TO TEACH HIM MAGIC TRICKS!” Soon enough, however, Harry finds himself at Hogwarts with his owl Hedwig… and that’s where the real adventure–humorous, haunting, and suspenseful–begins. Harry Potter and the Sorcerer’s Stone, first published in England as Harry Potter and the Philosopher’s Stone, continues to win major awards in England. So far it has won the National Book Award, the Smarties Prize, the Children’s Book Award, and is short-listed for the Carnegie Medal, the U.K. version of the Newbery Medal. This magical, gripping, brilliant book–a future classic to be sure–will leave kids clamoring for Harry Potter and the Chamber of Secrets and Harry Potter and the Prisoner of Azkaban. (Ages 8 to 13) –Karin Snelson


Harry Potter and the Sorcerer's Stone (Book 1)

Magic Tree House Collection: Books 1-8

Magic Tree House Collection: Books 1-8

FEATURED Magic Tree House Collection: Books 1-8

Dinosaurs Before Dark
Jack and his younger sister, Annie, stumble upon a tree house filled with books. Before Jack and Annie can figure out the mystery of the tree house, it whisks them back to the prehistoric past. Now they have to figure out how to get home. Can they do it before dark, or will they be become a dinosaur’s dinner?

The Knight at Dawn
Peacocks for dinner and boys in skirts. That’s what Jack and Annie find when the Magic Tree House transports them back to the Middle Ages for another wild adventure. They find themselves in the middle of an enormous castle and can hear the beginnings of a feast under way in the Great Hall. But Jack and Annie aren’t exactly welcome guests!

Mummies in the Morning
Jack and Annie don’t need another mummy. But that’s what they get when the Magic Tree House whisks them back to ancient Egypt after reading a book on the same subject. There they find themselves in a pyramid face to face with a long dead queen named Hutepi. Will Jack and Annie be able to help her, or will they end up as mummies themselves?

Pirates Past Noon
It’s a veritable treasure trove of trouble when the Magic Tree House carries Jack and Annie back to the days of deserted islands, secret maps, and dangerous pirates! Will they discover the hidden buried treasure, or will they face the possibility of walking the plank?

Night of the Ninjas
Have you ever met a real live ninja? Jack and Annie do when the Magic Tree House whisks them back to ancient Japan in search of enchantress Morgan le Fay. When they arrive, they find themselves in the cave of a ninja master. Will they learn the secrets of the ninja? Or will the evil samurai warriors get them first?

Afternoon on the Amazon
Vampire bats and killer ants? That’s what Jack and Annie are about to run into when the Magic Tree House whisks them back in time to a South American Rain Forest in search of the elusive Morgan le Fay. It’s not long before they get hopelessly lost on the Amazon River. Will they be able to find their way back to the tree house before they are trampled by stampeding killer ants?

Sunset of the Sabertooth
The Ice Age is very cool . . . for two kids in bathing suits! Jack and Annie nearly freeze when the Magic Tree House whisks them back into the time of cave people and woolly mammoths. But nothing can stop them from having another wild adventure–not even a sabertooth tiger!

Midnight on the Moon
Three . . . two . . . one . . . BLAST OFF! The Magic Tree House whisks Jack and Annie off to the moon–and the future. Their mission? To find the last “M” thing that will free Morgan from the spell. Can they do it before the air in their oxygen tank runs out? Will they mysterious moon man help them? And why is Peanut the mouse acting so strange?


Magic Tree House Collection: Books 1-8

The Forgotten

The Forgotten

FEATURED The Forgotten

In Paradise, nothing is what it seems…

THE FORGOTTEN

Army Special Agent John Puller is the best there is. A combat veteran, Puller is the man the U.S. Army relies on to investigate the toughest crimes facing the nation. Now he has a new case-but this time, the crime is personal: His aunt has been found dead in Paradise, Florida.

A picture-perfect town on Florida’s Gulf Coast, Paradise thrives on the wealthy tourists and retirees drawn to its gorgeous weather and beaches. The local police have ruled his aunt’s death an unfortunate, tragic accident. But just before she died, she mailed a letter to Puller’s father, telling him that beneath its beautiful veneer, Paradise is not all it seems to be.

What Puller finds convinces him that his aunt’s death was no accident . . . and that the palm trees and sandy beaches of Paradise may hide a conspiracy so shocking that some will go to unthinkable lengths to make sure the truth is never revealed.


The Forgotten